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The Midnight Sailors

by The Midnight Sailors

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1.
Marian and Leo going round in circles It’s going to be the death of a friend Marian and Leo search a truth eternal They’ll never ever get to the end Will you go … between as Mercury in the sun You’re the go … between the lady and farmer’s son Century’s tradition exploding in suspicion Tragedy the end of a gun Remember Julie Christie you’ll never ever miss me It’s over before it’s begun Will you go … between as Mercury in the sun You’re the go … between the lady and farmer’s son Run away, run away, run and don’t you cry Though the letter in your hand has blood stains … you don’t ask why Run away, run away, run and don’t you cry Alan will blow your mind … Alan will blow his mind Will you go … between as Mercury in the sun You’re the go … between the lady and farmer’s son Will you go … between as Mercury in the sun You’re the go … between the lady and farmer’s son
2.
Outside Edge 04:45
Summer was always endless when I was young The games we played, the evenings they went … on and on and on … Autumn stumbled, how we fumbled, innocence had gone We should run away, forever … I’m on the outside edge Of the cricket ground … they tore it down To build another ‘Workingtown’ … and … I could only hope … beyond the boundary rope I could only hope you’d still be there … And I could only dream … outside pavilion extremes, and I could only dream you’d still be there … Winter was always cold with the Christmas snow Nights were silent, tears defiant … on and on we go … Springtime save us, grass was paved up, innocence had gone We should run away, together … I’m on the outside edge Of the cricket ground … they tore it down To build another ‘Workingtown’ … and … I could only hope … beyond the boundary rope I could only hope you’d still be there … And I could only dream … outside pavilion extremes, and I could only dream you’d still be there … I could only hope … beyond the boundary rope I could only hope you’d still be there … And I could only dream … outside pavilion extremes, and I could only dream you’d still be there …
3.
Believe it or not, it’s all or nothing Take it or leave it, somewhere else In through the out-door, could lead to something There’s no-one to love when you’re in love with yourself And when it comes around … And when it all breaks down … It’s not what you say … it’s what you do … It’s not what you crave … it’s how much you lose … Clutching at straws you grab more than a handful Up to your neck in meaningless lies Out of your depth and drowning, it’s sinful Over your head, why am I not surprised And when it starts being good … And when it stops being cruel … It’s not what you say … it’s what you do … It’s not what you crave … it’s how much you lose … Believe it or not, it’s all or nothing Take it or leave it, somewhere else In through the out-door, could lead to something There’s no-one to love when you’re in love with yourself
4.
Johnny Flynn 05:09
Step aside, step back in time Disappear into the past, what’s on, your mind Spend your time Vanity Fair Costume crisis, or a drama, you, don’t care When Johnny Flynn plays his mandolin You know the folk will love you more When Johnny sings, it’s the saddest thing But the folk will love you more … Tread the boards, tread carefully See his name in lights, on stage, or T.V. screen Hang a poster on the wall If you’re lovesick you can dream, of pillow … talk When Johnny Flynn plays his mandolin You know the folk will love you more When Johnny sings, it’s the saddest thing But the folk will love you more … Cast your fate, he’ll cast his spell In the college chapel choir, a sweet, farewell If there’s stardust in your head Take a genius, ‘Freewheelin’ from your bed When Johnny Flynn plays his mandolin You know the folk will love you more When Johnny sings, it’s the saddest thing But the folk will love you more …
5.
You remember Daisy in her second-hand-me-downs, Sunday afternoon You remember Daisy watch the culprit lazy clowns, full-of-the-moon And when she went to school She broke every rule, and she broke every heart Dancing in the shadows of the cavalcades, she’ll be In everybody’s world Happy in the tee-shirt of ‘The Renegades’, you’ll see Everybody’s girl You remember Daisy Cotton silhouette and part-time Tuesday blues You remember Daisy When the streets are wet, it’s half-past maybe too And when she went to school She broke every rule, and she broke every heart Dancing in the shadows of the cavalcades, she’ll be In everybody’s world Happy in the tee-shirt of ‘The Renegades’, you’ll see Everybody’s girl And when she went to school She broke every rule, and she broke every heart Dancing in the shadows of the cavalcades, she’ll be In everybody’s world Happy in the tee-shirt of ‘The Renegades’, you’ll see Everybody’s girl
6.
It's Alright 03:05
Come with me, on a flight of final fantasy An easy ride Come and see, Madame Bovary in Paris She will read, your mind It’s immoral and a liberty When you say … that it’s alright You’re not immortal it’s a … certainty When you say … that it’s alright … it’s alright Come with me, down to Kensington and Chelsea Watch the world go by Come and see, Captain Satisfaction guarantee His alibi It’s immoral and a liberty When you say … that it’s alright You’re not immortal it’s a … certainty When you say … that it’s alright … it’s alright It’s immoral and a liberty When you say … that it’s alright You’re not immortal it’s a … certainty When you say … that it’s alright … it’s alright
7.
In the lazy days under summer’s pale blue skies I sit on the steps and listen to The Lilac Time I see your brother … out on his bicycle And I wonder … could I leave it all behind These are … the days I’ve waited for ….. The first quarter of my life These are … the words I’m spoken for ….. These are the days When the leaves on the trees are no longer green And the sky it darkens so much earlier, it seems The wind blows through my life as it carries a song in the air I watch as your brother cycles by, and I can see by the look, in your eyes These are … the days I’ve waited for ….. The first quarter of my life These are … the words I’m spoken for ….. These are the days This is the world in which we’re living It’s unforgiving … misunderstood I threw away my books provoking Now I’m hoping … in likelihood … these are the days These are … the days I’ve waited for ….. The first quarter of my life These are … the words I’m spoken for ….. These are the days
8.
The Almanac 03:43
It was late … in the day … with no thoughts of coming home As we rode our rusty bikes … and fought with sticks and stones In our camp out in the woods … where we’d call each other names Nothing hurt … no-one cried … it was all just childhood games The sun cast shadows long … ripping jeans and grazing knees And the man with the ice-cream van … filled grabbing hands with glee Over fields … hide and seek … the laughter didn’t fade Rough and tumble … we fumble … and a chance to misbehave But the teenage anger years … saw friendships slip away And our path now overgrown … with winter beards of grey And the gang over the road … have girls and boys with growing pains We might hurt … we might cry … but the memories remain
9.
Lying on your bed last night Staring at your eyes Opens up another world Living dreams and sighs It took so long to realize You were angry as could be It took so long to compromise This time it was me La la ….. la la la la la la…. La la ….. la la la la la la…. I learned to hate those things I loved You turned me upside down Became a child to talk about Kept me where you belonged It took so long to realize You had me on my knees I wouldn’t start to compromise This time it was me La la ….. la la la la la la…. La la ….. la la la la la la….
10.
I’ve been listening to everyone Now I’m talking to myself My faith is fearful … inside my head I left my confidence … somewhere else Is there an easy way to face the truth Will it make me … or break me in two But I know … that it’s good … but it’s serious And I know … that it’s good … I’m not scared for us I’ve been looking out for everyone But now I’m looking at myself “Don’t take advice from tee-shirts,” someone said Artificial words have no place, there Is there an easy way to face the truth Will it make me … or break me in two But I know … that it’s good … but it’s serious And I know … that it’s good … I’m not scared for us But I know … that it’s good … but it’s serious And I know … that it’s good … I’m not scared for us
11.
Reflections 03:20
The hands of the clock keep moving faster Applauding me or is it laughter As a boy I used to cry on shoulders With the passing time I feel much older, yet The mirror cracked its final smile A looking glass can wait awhile For the boy who used to cry alone With the passing time, the boy has gone, away Reflections in your pale eyes Saying good – byes … could be cruel Affection can be improvised A consolation prize … is one so good The hands of the clock keep moving faster Applauding me or is it laughter As a boy I used to cry on shoulders With the passing time I feel much older, yet I feel much older, yet
12.
At night I turn to face the wall My books I’ve thrown upon the floor My eyes won’t close until … it’s time What Al has said may not ring true My maps have all been torn in two I’m safe until … 11:59 Our captain says it’s time to go Where this ship sails no-one knows But you ….. lighting my way The Midnight Sailors call … for you The Midnight Sailors coming through I cried when I first went to school … Those history teachers called me “fool” Head in the clouds … but not at sea “Trust Al”, he said, and lessons learned From pages that were never turned And now at last … it’s clear to me Our captain says it’s time to go Where this ship sails no-one knows But you ….. lighting my way The Midnight Sailors call … for you The Midnight Sailors coming through The Midnight Sailors call … for you The Midnight Sailors coming through

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'The Midnight Sailors' by The Midnight Sailors

credits

released May 5, 2023

Rich Longley: lyrics, vocals, guitars, banjo, occasional bass, instrument and drum programming
David Osborne: lead acoustic & electric guitar, mandolin, sax & horns programming
with:
Malena: lead vocals on 'Nothing Without Daisy'
Jessie: fiddle on 'It's Alright'
Betania: violin on 'This Time It Was Me'
Dan: bass on 'Outside Edge'
Hannah: violin on 'Ouside Edge'
Bethan: backing vocals on 'Outside Edge'
Solaria: backing vocals on 'Marian and Leo', 'The Midnight Sailors'

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The Midnight Sailors England, UK

"...as if Grant McLennan had written The Village Green Preservation Society..." Setting sail on a morning from a Jacques Tati movie, 'The Midnight Sailors' travel lightly, with Al Stewart records in their luggage aboard the good ship Lord Grenville. They head towards the notorious Seas of Rhyme - acoustic guitars in hand, lyrics in scribbled scrapbooks and just one set of spare mandolin strings. ... more

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